and, in continuing the spirit of my last post, today i went with the trynamic trio - 15/4, 40/2.8, 100/2.8 - ie, all my modern lenses (excluding the kit lens), and it was pretty amazingly great, actually. the 15 and 40 are so tiny that whenever i had the 100 on the camera, i could have the 15 in one jean pocket and the 40 in the other. gotta love pentax.
anyways, this place was incredibly jizztastic. at first, i thought it was okaylah, and snapped a few shots as i walked around:
some nice pictures i guess, but nothing extremely inspired or unique (speaking of which, i'd been getting worried lately that all my photos were getting sortof cornered into the same genre - that dark, moody atmospheric thing. nice, but repetitive. then i realized what the fuck can i do about it - it's what vancouver weather gives me, so i guess i have to live with it. i'll post sunshine and bunnies when we actually get sunshine and bunnies, kthx.)
anyways, a few minutes after these, we saw something that made me go oh shit...
yes. we saw rusted shit ahead. and i was like ohgodohgodohgod MUSTPHOTOOOOOJIZZZzzzzzxzZXZXXxxzzzzz. if you know much about me, you know that i love that sorta urban-decay stuff - rusting old barns and that type of thing. we also saw some sign regarding something or other, i didn't pay it much attention though. cause, i mean, RUST!
but first, a lolsers photo:
and now that my lolsers quota has been filled: SHITBRIX.
hurhurhur im so punnneeeee.
so the first thing on the photo docket that really got me excited was a boat. a rusted boat. a rusted, barnacled boat. a rusted, barnacled boat with holes. jizztastic. i basically spent the better part of 20 minutes photomolesting its every curve. first half with the 40, second half with the 15.
(i realise these're a bit repetitive. while photomolesting i was a bit overeager so i wanted to make sure i got every angle of every mildly similar composition, so hence 50 near-identical images. or is it every composition of every mildly similar angle? same shits.)
and now with the 15. it's interesting how i took so many more flat-surface shots with an ultrawide than a normal lens. interesting. not really. here be they:
and that concludes today's session of photomolesting a boat. there was some other shit next to it but i didn't feel like photomolesting that too - it's a tiring thing, photomolestation. anyways....ONWARDS, WE FORGED! wow, that was incredibly nerdy.
i quite like these shots. and sin x = 0, where these pictures are the initial arm, of these, was this old abandoned-ish metal trailer/container/thing. it was pretty awesome, and of course, it was rusted too. more jizzing ensued:
and also a gas tank thing next to it? idkwhatitisexactlybuttherewasahosecomingoutofit:
and, this next photo might be slightly blasphemous...
yes. i took a picture of rust, and sucked all the orgasmic rust-y colours out of it. i'm a horrible person. i know.
and to punish me for being such a horrible person, the photo gods gave me rather meh photos for the next few minutes:
and now, lastly, we went to the beachhhhhhhhhhhhhhhhhhhhhhhhhowmanyhscanitypeeeeeeeeeeandnowit'seeeees
.
at this point, it's been a good 2-3 hours or so, and we more or less called it quits and started walking back. just before that, i took my last shot of the day:
which is eerily similar to the very first shot of the day, somewhere up there.
annndddd that was my first of the month - and i loved it. i think my very first photowalk of january was awesome too - the ones of the sunset at whytecliff. so i guess it bodes well for february, especially cause i'd been thinking it'd be a meh month for photos - apparently not!
this photowalk was interesting, apart from the sexy subject matter, in that it was bloody difficult to edit to how i wanted it to look. often times there was so very low contrast in the overall image that basically "fill light" or "recovery" weren't helpful at all - the entire picture's tonal range was so compressed both options affected the entire image, more or less, making it difficult to get a good contrasty image that i wanted, without having blown-out skies. and the flipside of that was in the beach images (except for the shell in the sand) - i wanted something super low contrast, so that there was a simple, minimalistic transition between the nuances of colour. aka, i had to turn DOWN contrast, instead of turn up. it certainly felt blasphemous, and i think i actually did try to go for a low-contrast image while turning up the contrast, so it only shows in the last shot with the ship. the 2 before it were contrasted cause im too pussy to go lowcontrast.
so, yeah. challenging to PP these shots, quite. but i think it turned out pretty awesome. still, they seem kinda underexposed to me still, among other things (and like i said fill light/recovery was no help for these images) so i think i'll be doing more work on them; i haven't seen the final copy of these just yet.
overall, on a scale of one to jizz, it was a passmesometissuesplox



































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